Back in photo.net’s and rangefinderforum.com’s prime, there was a gruff, opinionated, brilliant, and helpful forum member and photographer named Al Kaplan. He helped me a great deal after I got my first Leica. When he died in 2010, his family sold mugs and T-shirts to raise money. I’ve kept the mug on my desk ever since. Silver is Better Al Kaplan mug. Leica MP. HP5. Silver is better, indeed.
Throwing some old film away has made me think about what I actually need to keep
I brought a Hasselblad 60 megapixel medium format digital camera to Africa with me. I took photos side by side with my film camera. The digital camera’s images were sharper. They had more detail in both the shadows and the highlights. The digital camera made photographing very, very easy. And I hated it. … In fact, had I photographed using a digital camera from the beginning, I’m not sure that I would have liked a single photograph that I had ever taken....
It’s always surprising to me how many frames I don’t screw up when using the meterless M3.
I know that film photography and Emacs are completely unrelated, but I have been thinking about both of them quite a lot recently. Since moving back to shooting film in 2003, I have regular thoughts of switching to all-digital again. It’s just easier. I have rooms full of “stuff” in support of film photography, and things would become so much faster and easier without all of that. A nice digital camera, a good RAW editor, an inkjet printer, and some hard drives, and I’m all set....
I took the MP on my walk and was determined to shoot an entire roll. It was overcast, dreary, and the path I walk is pretty boring, but I did my best and made it through the roll. This roll was shot at 800 and developed in HC-110 (Dilution B) for 7.5 minutes.
I tried, I really did. The Wise Old Internet guided me into changing my film scanning process from a dedicated flatbed scanner to using a mirrorless digital camera setup. I did everything right. I bought good equipment and the right software. I hated it. To scan using my flatbed, I load the negatives, hit “Prescan”, confirm that things look ok and press “Scan”. I go do something else for a while and come back to a folder full of JPGs....
Here a few from a recent roll using the Leica M3 and the Leica 50mm Summilux-M ASPH. Mom and Dad. Leica M3 Dad playing mini-golf on the Quest. Leica M3 Molly. Leica M3 Michigan Fucking State. Leica M3
I attended our annual family reunion in Newaygo this weekend. It’s always great to see everyone. I shot a roll of HP5 with the MP and 35mm Summilux. Aunt Joan and Uncle Bob Playing cornhole Smiles all around My cousin Aaron Judy and Norma
There was a roll languishing in the OM-2n so I finished it during my walk today. I really need to find some new subjects. Shot on HP5 Plus. Developed in HC-110 (dilution B) for five minutes. Scanned on the Epson V750. Mirror self-portrait. OM-2n. HP5 Plus Flag while driving. OM-2n. HP5 Plus Bridge. OM-2n. HP5 Plus
I had lunch with my parents recently and took a few photos with both my film and digital cameras. I shot about the same number of photos with each camera, with close to the same number of “keepers”. Which do I prefer? ...
I normally don’t like the high-speed films but I’m trying to use what’s in my fridge, so here’s a few from a roll of Kodak T-MAX P3200 shot at 1600 and processed in HC-100. ...
As usual, this roll contained a few self-portraits, a few of Alice, and a few of “stuff”. My favorites are the ones taken in my dad’s garage. Alice. (Leica MP. HP5 Plus. 90mm Elmarit-M) Dad’s workbench (Leica MP. HP5 Plus. 50mm Summilux-M) Self-portrait (Leica MP. HP5 Plus. 90mm Elmarit-M) Wall in dad’s garage (Leica MP. HP5 Plus. 50mm Summilux-M) Self-portrait in mirror (Leica MP. HP5 Plus. 50mm Summilux-M)
My wife bought an awful, kitschy plastic lamp and set it on one of the floor speakers. I, of course, balked. That was a week ago and somehow the lamp is still there. I hate the lamp, but I don’t mind the light that it throws against the wall, and my wife loves it and thinks “it’s adorable”. Who am I to judge? I took a photo of it. It’s just another boring snapshot by a film photographer looking for excuses to finish the roll....
There are things that I dislike about shooting film, but processing isn’t one of them. I actually enjoy it. I shoot a roll or two of film each week and process it in my bathroom darkroom. Developing black and white film is quite simple. I have gotten to a point where the process is muscle memory. I shoot mostly the same type of film (HP5 Plus) and develop it in HC-110....
My dad called me from Florida and said that one of his neighbors had died and left a bunch of camera stuff to be given away or sold. He mentioned there was “some old Kodak” and wondered if I was interested in it. I said “Sure, why not” and he said he’d send me a box with the camera and some other stuff that came in the box. The Retina Way...
I ran a roll of TMAX-100 through the Olympus OM-2n. As always, I had the lovely 85mm Zuiko attached. This time, I also strapped on the flash. Olympus OM-2n with flash. (Leica Q2 Monochrom) It was not a successful roll. Maybe three images were salvageable. Why did it have to be shots like this? Making dinner. (Olympus OM-2n. Zuiko 85mm f/2. TMAX-100.) Or this one of Charlie, which was typically mis-focused....
This roll was mostly me plinking around the house trying to get through a roll in the M6 before the MP is back from Leica. I love the 50mm Summilux very much.
I discovered, while rummaging through a drawer, that my Nikon F-100 was loaded with film; Fujifilm Superia, a color film. I’ve pretty much sworn off color, but what the hell, I threw a little Godox flash on the F-100 and burned through the rest of the roll. I still had some C-41 chemistry mixed, but it was well past its prime. As is often the case with color film, it was a bust....
I finished a roll in the MP today by taking a bunch of self-portraits in my basement “studio”. The shots in which you can see both my hands were triggered by stepping on the release bulb. Clever! 🙂 I really like the look of these. They were shot in my basement with a new canvas backdrop. I used two Profoto strobes. One with a softbox (octogon) to camera left, and a second with a reflector at camera right pointing at the backdrop....